The color that transformsscene into emotion.
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Creators
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Palettes
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LUTs
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Cameras
Before & after
Drag the slider and see what changes when every frame gets professional color treatment
Used in productions for
FERRUGEM
BANDA MORADAHENRIQUE & DIEGOTIEEELI SOARES
FALAMANSAPEDRO MARIANO
ADHEMAR DE CAMPOSGR6OMODA JAECOOHBONETFLIXPRIME VIDEOAPPLE TVVIRA BRASILGABI SAMPAIOSALVAONGICAFELIPE CASTANHARIFERRUGEMBANDA MORADAHENRIQUE & DIEGOTIEEELI SOARESFALAMANSAPEDRO MARIANOADHEMAR DE CAMPOSGR6OMODA JAECOOHBONETFLIXPRIME VIDEOAPPLE TVVIRA BRASILGABI SAMPAIOSALVAONGICAFELIPE CASTANHARIThe complete pack
Five palettes, every professional format, and all Volume 2 updates. It pays for itself on the first job.
06+ BonusLUTs
06 from the pack + exclusive bonus LUTs, covering every camera format (Log and Rec.709)
02PowerGrades + Bonus
full, for DaVinci Resolve
03Presets + Bonus
for photo editing (Lightroom, DNG and XMP)
330+Files
Over 330 files covering every camera format in Log and Rec.709. There's the right format for your camera, from iPhone to ARRI.
In action
See Color Looks applied to real projects
A film studio in your pocket
Shoot Log with Blackmagic Camera, apply Color Looks LUTs in CapCut, and publish. All without leaving your phone.
Shoot Log on Blackmagic Camera
Film Log profile, 4K ProRes, and full control over ISO, shutter, white balance, and focus. Load Color Looks LUTs right in the app and monitor the final look while you shoot.
Finish the color in CapCut
Import any Color Looks LUT into CapCut and drop it straight on the timeline. The same cinematic palette used on RED and ARRI, from edit to final grade, right on your phone.
Support wherever you create
Color Looks LUTs work in Blackmagic Cam, CapCut, and Lightroom, and follow you to DaVinci Resolve and Premiere on desktop.
No extra cost.
Blackmagic Camera and CapCut are free. Combined with Color Looks, your phone becomes a complete cinema kit, from capture to final grade.
Trusted by creators
I've been working in DaVinci Resolve for 6 years and the Color Looks PowerGrades are the best-structured I've ever used. Separate nodes for each stage, fully editable. I drop them on Sony FX6 or BMPCC footage and the result is 90% there. I just fine-tune for the client.
I use these on commercial projects for brands like Natura and Ambev. Clients consistently praise the color work without knowing the starting point is a LUT. That's real quality.
I calculated what I charge per hour of color grading: if the pack saves me 3 hours per project, it pays for itself on the first job.
I used to spend 2-3 hours per project on color correction alone. With Color Looks, I reach a cinematic starting point in seconds and fine-tune from there. My workflow has never been the same.
I tested dozens of free packs before this. The difference is night and day: free LUTs break on highlights and skin tones. Color Looks holds up in any lighting condition.
What surprised me was the consistency across platforms. The look stays cohesive on YouTube, Instagram, TikTok, without needing to readjust anything. That saves me hours every week.
Compatibility
Fits your workflow just the way it already is: no conversion, no extra step.
any software compatible with .cube (LUT)
Hover over a brand to see the supported cameras
Color Looks •Vol.02
When the color is right, the audience doesn't watch. It feels.
The right color isn't seen, it's felt. Volume 2 is exactly that, ready to use.
The complete pack
- 06 LUTs + Bonus for every camera format (Log and Rec.709)
- 03 Presets + Bonus for photo editing (Lightroom, DNG and XMP)
- 02 PowerGrades + Bonus full, for DaVinci Resolve
Over 330 files covering every camera format in Log and Rec.709. There's the right format for your camera, from iPhone to ARRI.
- LUTs exclusive bonus
- Presets extra Lightroom bonus
- PowerGrades bonus for DaVinci Resolve
One-time payment.
Perguntas frequentes
6 LUTs plus bonus LUTs in .cube format, which work in any compatible software, like DaVinci Resolve, Premiere, CapCut, and Final Cut. You also get 2 PowerGrades (.drx) plus bonus PowerGrades, full node structures for DaVinci Resolve, and 3 photo presets for Lightroom plus bonus presets, in DNG and XMP formats. In total, over 330 files covering Log and Rec.709.
Free LUTs are generic: they apply a fixed curve that often blows out highlights, oversaturates skin tones, and breaks under difficult lighting. Color Looks was built with layered correction nodes, tested across dozens of cameras and conditions. You get LUTs (.cube), full PowerGrades (.drx) with zone-based control, and Profiles (.xmp) for Lightroom. Everything calibrated to deliver genuinely professional results.
Credit card or boleto, in a one-time payment processed by Kiwify. No subscription, no monthly fee.
Delivery is immediate. You create a login on the site and access your user area, where all the files are available for download. You can come back and download whenever you want, including Volume 2 updates.
Between 700 MB and 1 GB in total. And since the files live in your user area, you can download them again whenever you need.
Yes. The pack has been tested and optimized for RED, ARRI, Blackmagic, Sony, Canon, Fujifilm, DJI, Lumix, and even iPhone. Any camera that shoots Log or a standard profile is covered.
Yes. There are over 330 files covering Log and Rec.709: there's a version for those who shoot Log on professional cameras and for those who shoot in the camera or phone's standard profile. You just pick the file matching your recording profile.
It does. Both the .cube LUTs and the PowerGrades run in the free version of DaVinci Resolve. You don't need Studio.
It works. The LUTs are .cube files, accepted by CapCut and any app that imports LUTs. On iPhone you can also load the LUTs straight into the Blackmagic Camera app and see the look while you shoot. The PDF tutorial shows how to import them.
They do. They come in two formats for exactly that reason: DNG for the Lightroom app on your phone and XMP for Lightroom on your computer. The PDF tutorial shows how to install both.
You will. The pack comes with a PDF tutorial with step-by-step installation for each program. Once installed, just apply it to your clip and adjust the intensity until it feels right.
Volume 2 was built to color your image with minimal adjustments. Even so, fine-tuning is worth it: well-exposed footage with correct white balance delivers the best result.
Yes. Professional colorists use Color Looks as a starting point, not a final solution. The PowerGrades are fully editable, with separate nodes for each stage of the pipeline. You save hours of work and offer more creative options to clients without starting from scratch.
Yes. The license is yours and covers your own computers. What's not allowed is sharing or passing the files on to other people.
No. Volume 2 is brand new and fully independent. You don't need anything besides it.
Without any restrictions. The license includes unlimited commercial use: client videos, YouTube, Instagram, TikTok, cinema, advertising. Any professional project you create.
Yes. Every update and new variation we add to Volume 2 is yours, at no additional cost. You pay once and download every Volume 2 update right from your user area.
There is. You get support via WhatsApp and the members area. It's the same channel as the 7-day guarantee.
You have 7 days to test it on your own projects. If for any reason you're not satisfied, we'll process a full refund over WhatsApp, no hassle.